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No, they wear these clothes not to be ready at a moment s notice to head out to the real country, they wear these clothes as a form of conspicuous consumption. They are saying: see, I don t need to dress in old haut bourgeois weekend casual clothes, because I go out to Aspen (or Park City, or some other far off trendy place) and this is what I would be wearing if I were there. (Never mind that I only go once a season, or once every two years, I want you to think that it was just some huge deal at work that has kept me in NYC, so I am wearing my ski jacket to dinner on the Upper West Side, or I have on my fleece vest, even though I have just been to an indoor gym). Roselyn sanchez nude pictures ew12 tuning

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Exactly. As an American living in the UK for the sixth straight year, I was thinking exactly this, Tessa! Swamp ass cure

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Yup, I am with Chris. Our HOA specifically bans hanging laundry, even in the backyard where it can t be seen! Besides, I also don t like the stiffness of line-dried clothing, and it would be my luck that I would forget it outside and some animal would do something horrible to it. Fritz porn sevastopolskij prospekt d insect

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Ageing, he thought, comes about because this developmental programme, this constant change, never turns off. From birth until puberty, change is crucial: we need it to grow and mature. After we ve matured, however, our adult bodies don t need change, but rather maintenance. If you ve built the perfect house, you would want to stop adding bricks at a certain point, Walker says. When you ve built a perfect body, you d want to stop screwing around with it. But that s not how evolution works. Because natural selection cannot influence traits that show up after we have passed on our genes, we never evolved a stop switch for development, Walker says. So we keep adding bricks to the house. At first this doesn t cause much damage a sagging roof here, a broken window there. But eventually the foundation can t sustain the additions, and the house topples. This, Walker says, is ageing. Best redhead Asian skate

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What about non-white people who wear technical clothing eh? I m 1/2 yellow and 1/2 white and I wear a ridiculous amount of technical clothing. Although I always want to go camping, I m not so stupid as to think my buddy s going to call an impromptu session of hiking and paddling. I for one wear technical clothing because I m a paranoid bastard. When those zombies come, you want to be hunkered down in a makeshift shanty dressed in cotton, that retains water and chills you when the temperature drops? I think I ll stick with my technical clothing. I may look like a douche, but damn yo, how many hipsters look like douches and are just gonna be eaten by zombies because they can t run in their drainpipe jeans? Sheeit yo, it ain t just white people wearing clothing that works, that in itself is degrading to people of other shades. What, because I m 1/2 Chinese I can t be (paranoia-fuelled) practical? C mon!! Lesbian bliss Nice black round ass

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A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

Completing the set of 1880s artists’ reference photographs by Louis Jean-Baptiste Igout (the first part can be seen here), I think I’ve seen the pose in the lower left published singly, but the rest are all new to me.

Completing the set of 1880s artists’ reference photographs by Louis Jean-Baptiste Igout (the first part can be seen here), I think I’ve seen the pose in the lower left published singly, but the rest are all new to me.

Another set of artists’ reference photographs by Louis Jean-Baptiste Igout, published in the 1880s. While most depicted a lone model, this page features a sequence of double poses, where the men enact a fight, a dramatic death scene, and much more...

Another set of artists’ reference photographs by Louis Jean-Baptiste Igout, published in the 1880s. While most depicted a lone model, this page features a sequence of double poses, where the men enact a fight, a dramatic death scene, and much more besides.

A whole sheet of photographs taken in the studio of Louis Jean-Baptiste Igout, and published by A Calavas, between 1870 and 1880. Some further pages of these multiple-image artists’ reference can be found here.
Second from the left on the third row...

A whole sheet of photographs taken in the studio of Louis Jean-Baptiste Igout, and published by A Calavas, between 1870 and 1880. Some further pages of these multiple-image artists’ reference can be found here.
Second from the left on the third row is my favourite pose, which is yours?

Two muscular men strike a powerful and physically demanding pose for the camera of Lous Jean-Baptiste Igout, c1870. We have seen this pair before, in a similar scene.

Two muscular men strike a powerful and physically demanding pose for the camera of Lous Jean-Baptiste Igout, c1870. We have seen this pair before, in a similar scene.

A sheet of male nudes for artists, photographed and published by Louis Jean-Baptiste Igout, circa 1870. We’ve seen several pages from M. Igout before, but none of these seem to be repeated images.

A sheet of male nudes for artists, photographed and published by Louis Jean-Baptiste Igout, circa 1870. We’ve seen several pages from M. Igout before, but none of these seem to be repeated images.

An artists’ model photographed by Louis Jean-Baptiste Igout, circa 1900 - we have seen this very fellow pose in the studio before.

An artists’ model photographed by Louis Jean-Baptiste Igout, circa 1900 - we have seen this very fellow pose in the studio before.

Unlike Eakins, who created his own reference photographs using his friends and students to act out the required poses, Louis Jean-Baptiste Igout took artfully lit pictures of artists’ models in his studio, which were then sold to those in need of...

Unlike Eakins, who created his own reference photographs using his friends and students to act out the required poses, Louis Jean-Baptiste Igout took artfully lit pictures of artists’ models in his studio, which were then sold to those in need of anatomical reference material. Much cheaper than hiring a life model, a great many artists and students were able to make use of these helpful prints, published by A. Calavas of France, c1880.

Another set of artists’ reference prints by Louis Jean-Baptiste Igout, circa 1880 - I like the final pose best of the four.

Another set of artists’ reference prints by Louis Jean-Baptiste Igout, circa 1880 - I like the final pose best of the four.

A further sheet of artists’ reference photographs by Louis Jean Baptiste Igout, circa 1880. At the time, an extremely thrifty way to obtain accurate anatomical reference for the human form; today a fascinating survival from the creative process, a...

A further sheet of artists’ reference photographs by Louis Jean Baptiste Igout, circa 1880. At the time, an extremely thrifty way to obtain accurate anatomical reference for the human form; today a fascinating survival from the creative process, a glimpse behind the scenes.

Although doubtless created as one of his many artists’ reference photographs (many more can be viewed here), this striking image by Louis Jean-Baptiste Igout bears a notable resemblance to the deliberately provacative poses used by Vincenzo Galdi a...

Although doubtless created as one of his many artists’ reference photographs (many more can be viewed here), this striking image by Louis Jean-Baptiste Igout bears a notable resemblance to the deliberately provacative poses used by Vincenzo Galdi a few decades later in his erotic work. Indeed, if not for the known provenance, it could easily be taken as even more modern than that - there is something I’m unable to put my finger on which makes this appear undated and ageless : it could be a contemporary image shot in black and white as an aesthetic choice, not merely the limitations of the technology of its time.

Another of Louis Jean-Baptiste Igout’s studio photographs taken to aid the artist in perfecting their depiction of human anatomy without the necessity of hiring a live model - I love these for their frozen moments of immense drama : such scenes you...

Another of Louis Jean-Baptiste Igout’s studio photographs taken to aid the artist in perfecting their depiction of human anatomy without the necessity of hiring a live model - I love these for their frozen moments of immense drama : such scenes you could place this lone man into as he acts out the pose of a fallen warrior, the awe-struck mortal facing his gods; and I cannot help but wonder what works of art this one photograph may have become, in whose hands it was held and studied when freshly printed.

Further artists’ reference photographs from 1870s France, from the studio of Louis Jean-Baptiste Igout, in addition to those shared previously. The third here is my favourite of the set, as though one describes the features of some wondrous landscape...

Further artists’ reference photographs from 1870s France, from the studio of Louis Jean-Baptiste Igout, in addition to those shared previously. The third here is my favourite of the set, as though one describes the features of some wondrous landscape while the other surveys the scene with eager admiration!

Four scenes of dramatic action and interaction between nude models, photographed in the 1870s by Louis Jean-Baptiste Igout. These sheets of cheap prints were sold as a simple and affordable reference for artists, more can be found here.

Four scenes of dramatic action and interaction between nude models, photographed in the 1870s by Louis Jean-Baptiste Igout. These sheets of cheap prints were sold as a simple and affordable reference for artists, more can be found here.